When Otomo Katsuhiro saw his manga Good Weather credited as the “original novel” he burst out laughing. There’s not an iota of his book anywhere in the film. Made in the same year as Sono Sion’s A Man’s Flower Road, Hirano Katsuyuki’s Happiness Avenue (where Sono plays a role) is madder and more abandoned, in both filmmaking and content. Lovelorn Masahiro goes on an odyssey to find fulfilment of his heart’s desire, and the sea he traverses are Tokyo’s open sewages.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
Neon Gravity is an assassin who realizes that her target, as well as her current reality, are not what they seem. This short film is a futuristic story that takes place in Downtown Miami.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
