The Weirdness that is 'Severance'
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.

At which distance should one record a city, landscape and people? From the eyes of Bùi Đình Hạc and Nguyễn Đăng Bẩy, Hanoi is a promise: a Hanoi after the event of Điện Biên Phủ. Under the “sky of freedom”, to cite the commentary, panoramas of the capital’s renown landmarks unfold like a series of postcards. A harmonious world where nature and heritage of then and now coexist. In long shots, at a small scale, people can be seen dressing neatly, working and playing with delight. Hope is an obvious choice. A sense of future glimmers amidst vast expanses of open space.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.