It’s a bird, it’s a plane…it’s "Harriet"!
This is not a story of oppression but a story of liberation.

Andre, a migrant, is trapped in his boarding house when the pandemic hits. With an indifferent mother and best friend, Andre remembers his ex, Hana.
This is not a story of oppression but a story of liberation.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.