Fielder's "You Can See Everything" Asks Questions it Doesn't Have Answers For
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.

Under the heat of the sun at a Spanish archeological mission in northern Jordan, local workers dig the land for long hours. The wages are poor and the cost of living is on the rise. Abu Deya, a Palestinian Jordanian, wants to provide a different life for his family, but a criminal record stymies his efforts. Alex Sardà’s observational film sensitively documents one man's relationship to his family, the land and its laws. Ultimately, it questions the possibility of exorcising the past in a society that seems opposed to the notion of rehabilitation.
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
A concert film with original recording of the most iconic event in pop culture in 2023.