Love, Regret, and Art: Pandemic Lessons from Station Eleven and The Real World
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.

After the death of what Gracinha - a ballerina - thought to be the soul of art, she faces a dilemma: can she carry on doing what she's always done, or should she start a search for something that could set her heart free?
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.