Gracinha 

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.

"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.

'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.