‘Little Woods’ Review: A Powerful New Take on the Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

To repay the debt to the most influential businessman in Sochi, the owner of a regional cinema chain is filming a blockbuster with doubles of famous Hollywood actors.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
The animated musical adventure beings fantasy and magic to viewers as they follow Keegan and Moya.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.