Two youngsters embark on a journey to success, promised to them by someone who proclaims possession of a few big houses and luxury cars through a scheme commonly known as Multi level marketing. They halt their journey to talk to us, about their idea of success, hardships and the dreams they wish to accomplish. As we dive deeper, we uncover the deceitful nature of their work and how it affects every aspect of their lives. In spite of this they persevere in the hope of a silver lining as they fall back down in this world of lies.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
This 2023 film serves as the final chapter of the Indiana Jones franchise.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
