‘Good Will Hunting’ is Good to Watch for Mental Health Month
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen

Trapped in their office by a baying crowd from all religious backgrounds, a group of filmmakers contemplate a fictional short film they have made disproving the existence of God. As the crowd outside intensifies they wonder if it is just a film or maybe something much more important.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."