Ever feel like your eyes are playing tricks on you? Maybe best to take another peek.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
For those tranquil houses with white fences, what is happening behind every closed door?
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
