We Are Lady Parts Is The Muslim Representation To Keep Your Eyes On
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.

Can glitz and celebrity save the world? Thirty years ago, rock stars Bob Geldof and Bono set out on a journey to fight poverty in Africa. They tried to convince some of the wiliest and mightiest politicians on earth to change the world. Give us the Money tracks their journey through famines and palaces, and world-wide TV-audiences. But how successful have they really been? Did they manage to make the world a better place? Bosse Lindquist's film tracks the history of this idea. "A band of musicians set out to change the world" he says "and now the time has come to ask: What did they achieve, and is celebrity politics is the right way of combating world poverty?"'
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
If you identify as part of the queer community, or if you love old school slasher flicks, you will love this movie.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.