An Interview with Writer/Director/Producer Penelope Lawson
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.

Can glitz and celebrity save the world? Thirty years ago, rock stars Bob Geldof and Bono set out on a journey to fight poverty in Africa. They tried to convince some of the wiliest and mightiest politicians on earth to change the world. Give us the Money tracks their journey through famines and palaces, and world-wide TV-audiences. But how successful have they really been? Did they manage to make the world a better place? Bosse Lindquist's film tracks the history of this idea. "A band of musicians set out to change the world" he says "and now the time has come to ask: What did they achieve, and is celebrity politics is the right way of combating world poverty?"'
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
A throwback to the last months of the 20th century in this comedy film.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.