In sprawling Chongqing, the quiet life of a divorced taxi driver erupts after he gives a ride to a mysterious woman coming home after two decades. Reigniting his sexual desires, she also releases his suppressed angst about his paralyzed mother and rebellious gay son. Shrouded in dark tunnels and deep fog, he sees no light ahead. This mesmerizing drama, at once gloomily real and luminously surreal, evokes a time when dreams are lost, and no hope can be found.
An episode of "The Sopranos" articulates an identity crisis unique to the Italian-Americans and demonstrates how Indigenous communities are pushed aside in the ensuing debate.
Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
