Docunight Presents: Iranian Women's Stories
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
Gigi Goes to Pot (1970)
Teenage Gigi and her best friend Tammy take a brief holiday to The Big Apple, chaperoned by Gigi's parents. While the adults are attending Broadway shows, the girls explore the seedy Times Square area, marijuana, a "free love" party, and each other's budding young bodies.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Teenage Gigi and her best friend Tammy take a brief holiday to The Big Apple, chaperoned by Gigi's parents. While the adults are attending Broadway shows, the girls explore the seedy Times Square area, marijuana, a "free love" party, and each other's budding young bodies.
Rating:
Genre:Drama
Written By:
In Theaters:1/1/1970
Box Office:
Runtime:74 minutes
Studio:
Cast
Articles You May Like
The Ocean Comes Alive In "The Last House"
The Delgado family becomes trapped in their house by an unknown force and it takes them years to realize what has happened.
10 Movies Depicting the Lives of Ordinary Women in Historical Europe
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
'65' is the Latest Dinosaur Flick in a Jurassic World
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
“The King of Staten Island” Joins the Royal Ranks of Judd Apatow’s Movies
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
Marion Ravenwood, the Unsung Hero of 'Raiders of the Lost Ark'
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.