Avatar: The Last Airbender Both Protests and Embodies Colonialism
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.

In 2040, a generation of Torontonians have grown up after the economic collapse of the west. The movie consists of episodes of a documentary series popular in mainland China about the bad jobs some white people have -- the plucky and resilient souls unlucky enough to be born into the slums of North America are both amusing and moving to the Chinese audience. Oscar is a digital janitor, and has to manually cover up logos for copyright reasons in the future's answer to Google StreetView maps. Gary and Karen assemble robot baby dolls for the children of the wealthy in Asia. Anton and Toph are spider silk collectors. Serina is human spam and makes a living by mentioning brands and products in casual conversation.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
If you identify as part of the queer community, or if you love old school slasher flicks, you will love this movie.
A dynamic journey of self-acceptance and identity.
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.