
The story of the film revolves around the inheritance struggle of a very old house, where the grandmother asks all her family members to live in this house for a few days before agreeing to sell it.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.