
Ajay alias Munna Babu is a semi-senile, gentle but naive young man who has a wealthy family estate. His employees and alleged well-wishers conspire against him and introduce him to his long-estranged mother, Shakuntala, and brother, Vijay. Munna is overjoyed, not knowing that they are devious impersonators. This joy is quite short-lived, as they soon show their true colors, and Munna gets killed. His restless spirit seeks out his real brother and appeals to him to avenge his death. Vijay, at first, thinks he is hallucinating, but when his mother confirms that he indeed had a twin brother, he agrees to accompany Munna's spirit back to where he was killed, and thus assist him complete his vengeance. Things do not go as planned, and Vijay himself becomes their victim, and may face the very same fate as Munna.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.