Afterlife of the Party: An Exploration of Female Friendship
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.

Winner of the Golden Dolphin for Best Docudrama at the Cannes Corporate Media & TV Awards, this documentary follows photographer Gervasio Sánchez on a journey to Sarajevo to meet Adis Smajic, who was injured by an anti-personnel mine at the age of thirteen. For three decades, Sánchez has travelled through conflict zones, documenting the suffering of victims through his lens. An independent journalist, he has consistently exposed the political and economic interests that draw states into war. His photographs reveal the vulnerability, helplessness and brutality endured by civilians caught in armed conflicts. Since beginning his career in 1984, Sánchez has covered wars across the Gulf, the Balkans, Africa, Asia and Latin America. His first book, *The Siege of Sarajevo* (1994), portrays the harsh realities of civilian life in the besieged city. In 1995, he launched *Landmines*, a project documenting the lives of landmine victims over nearly two decades.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
This holiday movie serves as the prequel to the TV series The Really Loud House.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.