Anna and Lizzie share a flat with George - a tax consultant who thinks he is a dog. George supports them and does all he can to keep them satisfied. He agrees to their strict rules: at home, he may only walk on all fours, isn’t allowed to speak, must lick their feet and obey every order. The girls begin abusing their power, because George lets them. They believe he enjoys the torture, so they keep on degrading him. But in the end, George’s soul revolts – the man within him awakes, and seeks freedom and cruel revenge.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
The initial reaction and review of Netflix's newly released romantic comedy featuring Haley Lu Richardson and Ben Hardy. Spoilers included!
A direct fall into the white savior narrative
