Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Generazione 1000 euro poster

Generazione 1000 euro 

In Milan, Matteo is an underemployed physicist, giving the occasional lecture at a university while working at a PR firm where he knows he'll be fired. Without his really trying, two women are attracted to him, a blond and a brunette. The blond is Angelica; they meet smoking on the office rooftop. To his surprise, she has clout in the company and soon has him flying off (with her) to make presentations. The brunette is Beatrice, a new flatmate, hoping for a teaching job in the national service. Angelica dangles a posting with her in Barcelona; Beatrice is simply Beatrice. Will Matteo figure out what he wants - and decide before opportunity passes him by?
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In Milan, Matteo is an underemployed physicist, giving the occasional lecture at a university while working at a PR firm where he knows he'll be fired. Without his really trying, two women are attracted to him, a blond and a brunette. The blond is Angelica; they meet smoking on the office rooftop. To his surprise, she has clout in the company and soon has him flying off (with her) to make presentations. The brunette is Beatrice, a new flatmate, hoping for a teaching job in the national service. Angelica dangles a posting with her in Barcelona; Beatrice is simply Beatrice. Will Matteo figure out what he wants - and decide before opportunity passes him by?

Rating:
Genre:Comedy
Directed By:Massimo Venier
Written By:Federica Pontremoli, Massimo Venier
In Theaters:
Box Office:$1,296,000
Runtime:101 minutes
Studio:Trio International, Andrea Leone Films

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones