Love, Regret, and Art: Pandemic Lessons from Station Eleven and The Real World
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.

Detective Masaki (Koji) happens upon a chilling scene: Gedobo (Hitoshi Ozawa) leading the vile yakuza Tamura to his death. Shocked but trusting his instincts as an investigator, Masaki begins to pursue the “mysterious monk.” Together with his partner Nagasawa, Masaki defies orders from above, chasing after shadows. But with no evidence to be found, those connected to Nagasawa’s case begin to turn up dead one by one. And always, lurking close to evil—Gedobo. The second chapter of Shinji Hiramatsu’s dark, new-wave crime entertainment!
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.