GCW Good Riddance (2020)

Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.

A cat-and-mouse chase that will make viewers nostalgic for the cartoon series.

Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.