
Mustafa lost his mother and father on the same day. His father abandoned them for a dancer, and his mother committed suicide that day. The little boy was suddenly left all alone. His father was now an unforgivable criminal in his eyes. He would ask his father to account for the pain he had caused him with the gun he left behind as a memento. But there was no need for that. His grandfather tells Mustafa that his father is dead. In reality, his father had committed murder because of the woman he had abandoned his family for and had been sent to prison. Mustafa learns this truth twenty years later. His old anger is reignited. He goes to Istanbul to find his father. But he doesn't even know who he is looking for. The only thing he can cling to in the corrupt world he has fallen into is love.
The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package. That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.
The live-action remake of the classic Disney film based on a wooden puppet is finally here.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.