The Ghost (2023)
Two Korean sisters must save their family after a ghost tears the family apart.

One spring day when it rained. While watering the paddy fields, Geumryong gets into a fight with the neighboring young man Kokibong, but accidentally kills him. Geum-ryong is sentenced to three years in prison. Meanwhile, Go Young-ran, who is engaged to Geum-ryong, runs away from home because her parents force her to marry someone else. Geum-ryong, who has been released from prison, finds Yeong-ran, but she has become a bar clerk. However, she sees Young-ran, who is still guarding Jeongjo, and she starts anew with Young-ran.
Two Korean sisters must save their family after a ghost tears the family apart.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
A direct fall into the white savior narrative
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.