Underwhelming Presence
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.

One spring day when it rained. While watering the paddy fields, Geumryong gets into a fight with the neighboring young man Kokibong, but accidentally kills him. Geum-ryong is sentenced to three years in prison. Meanwhile, Go Young-ran, who is engaged to Geum-ryong, runs away from home because her parents force her to marry someone else. Geum-ryong, who has been released from prison, finds Yeong-ran, but she has become a bar clerk. However, she sees Young-ran, who is still guarding Jeongjo, and she starts anew with Young-ran.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
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The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.