'The Suicide Squad' Is Gory, Gratuitous, but Great
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.

In this incisive dispatch from the newly collapsed Soviet empire, bullet holes from WWII still pockmark the old stone buildings. Akerman journeys from East Germany to Moscow between the late summer and winter of 1993 ('while there’s still time'), chronicling in deliberate tracking shots, circular pans, and domestic tableaux yet another moment of radical upheaval in the 20th-century, the faces and bodies of Poles, Ukrainians, Germans, and Russians weighed down with obedient resignation and uncertainty.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
This is not a slavery story, it is a freedom story. The viewers only see Harriet as a slave for the first few minutes of the film. To me, it felt like watching the origin story of a superhero…which is both good and bad.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.