The Fantastic World of ‘Barbie’
‘Barbie’ is an entertaining, meaningful piece of filmmaking with a heartfelt message.

2009 release
‘Barbie’ is an entertaining, meaningful piece of filmmaking with a heartfelt message.
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.