The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

In a café in Paris, two friends—one single, the other in an “open” relationship—catch up on their lives and loves. In this animated short where the real story plays out in what’s not said, French cartoonist Aude Picault (Moi je) delivers a delightful ode to the sometimes-complex amorous relationships of modern times. She also takes an affectionate but penetrating look at friendship between women—and the jealousy, envy or judgment that can lurk behind the prettiest speeches.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.