Is It Still Possible to Achieve a Happyend Nowadays?
Neo Sora left a realistic and yet hopeful notion for the near future and the now.

Guelfo is a Florentine noble who has never worked and has no money. On the death of his mother, he believes he can inherit a large fortune, but from the notary he learns that he has an illegitimate brother with whom he will have to share half of his inheritance. His brother is called Felice, he works as a waiter in Bari and goes to Florence with a student friend who is indebted to the usurers. A rivalry without quarter begins between the two brothers.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.