'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

"Framing the Self" is a multimedia platform for developing an aporetic dialogue between the two basic figures of a movie: the director and his character. They engage in a real conversation between the cinematic language and the animation, questioning the essence of individuality through a non-linear narration. The rules of language slowly lose their validity, being substituted by the principle of doubt. The character will see her individuality breaking apart, progressively exploding into an infinite multiplicity.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Andor is an origin story where each side will do whatever it takes.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Taylor Swift dazzles many fans with remixes of her country and pop singles in her Reputation Stadium concert tour, becoming a successful concert film.
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.