For a long time advertising specialist Timo Wittmann was the best in his profession. But he does not want to believe that his star has long since sunk in the fast-paced business. When his boss hires the talented Susanne Andersen as new Art Director, Timo takes an angry hat. He will not clear the field without a fight. To show everyone that nothing works without him, he disguises himself as a 30-year-old recruitment copywriter and finds himself undetected in Susanne's team. It turns out that the new masters not only their job. It also fuels his libido. Should Timo finish her or listen to his feelings?
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
