After finding and adopting a child, a man gets a job at an all-girls school which doesn't allow families. Once the girls find the baby, they become his forty little mothers. At the same time, the child's true mother searches for him.
Léonide Moguy
Director
Lucien Baroux
Prosper Martin
Gabrielle Dorziat
Mme Granval, the director
Pauline Carton
Mlle Coltilde
Milly Mathis
Gervaise
Madeleine Robinson
Denise Mériel, the mother
Jane Pierson
The manager
Georges Vitray
Dalbret
Marcel Maupi
Marius Rabut
Jean Périer
The priest
Gilbert Gil
Robert Bourgeon, the father
Marcel Carpentier
The cook
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.