“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Fanny, a shy and lonely teenager, goes on a language exchange to Germany. In Leipzig, she meets her pen pal, Lena, a teenager eager to become politically active. Fanny is troubled. To win over Lena, she invents a life for herself, to the extent of becoming trapped in her lies.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
The Night Doctor achieves telling an original story in which the pace accelerates progressively while supported by dark aesthetics.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Released on Disney+ during the pandemic, this musical tells the story of founding father Alexander Hamilton and depicts the formation of the United States with a diverse cast.