"Abominable" is not Abominable at all
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.

In a world where people's hearts are on the outside and exhibit the qualities of a pet, Mary loses her lovable Skip only to rediscover herself and learn what it truly means to 'follow your heart.'
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.