"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

In the 13th century, a princess named No Gu, a queen of the Great Mongol Empire who is visiting Korea as a queen, is overcome with longing for her homeland and flees from her emperor. She drowns while escaping. As she dies, she utters a single sentence, "I want to go home." The story unfolds in the present day. The princess No Gu, who went to Korea to work, is trafficked and imprisoned in the house of a cruel Korean woman. While imprisoned, she uncovers the terrible crime committed by the housewife, which leads to an interesting development.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
“Is it real? Does it exist? Of course it does," read Snyder’s tweet about his cut of ‘Justice League’. Little did we know, not only does it exist, but it is enough to fill 4 full episodes, each an hour long.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
An action film led by two queens, fighting for what they believe in through power and pain.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.