Redux Redux (2026) and the Violent Nature of Motherhood
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.

In the year 2007, crime has risen at an exponential rate. Once highly populated metropolises such as Los Angeles are no longer inhabitable. These cities have transformed into "Hell Zones," ruled by violent street gangs. The Hell Zone, formerly called the "Zone of Personal Freedom," is a safe-haven for criminal warpaths everywhere. This Hell Zone in LA is controlled by a criminal mastermind named Drexal (Joseph Ruskin). For the sake of entertaining his crowds of decadent losers and underlings, Drexal has staged a series of lethal, no-holds-barred matches in the "Death Ring," where the winner takes all of the glory...while the defeated one shall lose his self-respect (or maybe just his head). Meanwhile, two brave cops, Braniff (Chad McQueen), and Sledge (Gary Daniels) must risk their badges...and their lives when they enter Los Angeles's "Hell Zone."
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
This romance movie has strong representation of Taiwanese people.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.