In this feature documentary, husband-and-wife team Karsten Heuer and Leanne Allison (Being Caribou), along with their 2-year-old son and dog, retrace the literary footsteps of Canadian writer Farley Mowat. They canoe east from Calgary towards the Prairies (the geography of Farley's Born Naked and Owls in the Family) and then traverse the same paths that Mowat took more than 60 years earlier in Never Cry Wolf and People of the Deer. Their epic 5,000 km journey—trekking, sailing, portaging and paddling—ends in the Maritimes, at Mowat's Nova Scotia summer home.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
