When a group of friends and colleagues tracks reclusive writer Samantha Ballard (Aleece Jones) to her remote desert house, their reluctant hostess informs them that they'll die if they try to escape. After her ex-husband disastrously tests Samantha's pledge, the remaining guests sink into horror. If they want to leave Fear House alive, this desperate group must act fast in writer-director Michael R. Morris's claustrophobic spook fest.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
