Diversity Programming At The Austin Film Festival
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.

The story revolves around Hutum, He belongs to a poor family. He supports his family by distributing newspapers in his locality. His friend Rajarshi who has a computer at home and is very conversant with the Internet world, including Facebook. Hutum, being a film fanatic and having no goals and ambitions in his life, spends most of his time daydreaming . Rajarshi gets Hutum hooked on to Facebook, to help him ease his troubled mind. Like most of the youngsters, on Facebook, Hutum`s dreamy eyes gets set on a girl from Delhi - Payel. Hutum and Payel get along very well which turns into an affair, Suddenly an incident throws all these haywire and Hutum is left all alone. He slowly goes out of control, and Hutum decides to go to Delhi. he breaks all barriers of logic and reason while he embarks on a journey to Delhi, on his bicycle, with whatever help he could get from his dear friend Rajarshi. What happens next is the crux of the film `FAKEBOOK`. How far can you go for love?
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
Marvel's Moon Girl and Devil Dinosaur shine as they battle their way through supervillains, social issues, and school bullies on the Lower East Side. Moon girl magic in the moonlight! A must-see for all Marvel and fantasy/science fiction fans.
How do zombie films shine new light in the post-Covid and post-Brexit era?
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
This animated kids' movie shows viewers two different species--jungle animals and aliens--and how both species coexist.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.