“Dreaming Whilst B\@*k”
Masterful satire that shines a light on the struggles of Black creatives.

Juan Camaney is invited by his old friend Cagancho to stay & work at his ranch. Problem is that the ranch is a wild mad house and Juan's natural instincts make him go crazy for any woman that may cross his path regardless age. Cagancho also believes he will die and is afraid of his losing his inheritance to his bickering wife.
Masterful satire that shines a light on the struggles of Black creatives.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.
Slytherin is painted negatively for the traits the members of this house embody. Although Slytherin students are ambitious, cunning, and determined, they are more.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch