The pleasant voice of "Nemat," a young man from Ahvaz, causes "Jamshid," the owner of a cabaret in Tehran, to gain popularity and wealth. However, when Nemat tries to use his talent for his own benefit, Jamshid, who has suffered losses, seeks revenge by trying to marry Ameneh by giving money to her father. But Ameneh, who is in love with Nemat, throws herself into the river and commits suicide, and Jamshid falls into the claws of justice.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
