Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Eyes won't see poster

Eyes won't see 

The suicide of a boy from the Q3 youth club throws social worker Luca off balance. When her friend and colleague Kiran comes under suspicion of having had an inappropriate relationship with the boy, she fights for his innocence. Torn between responsibility, trust, and her own moral convictions, a painful search for the truth begins.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The suicide of a boy from the Q3 youth club throws social worker Luca off balance. When her friend and colleague Kiran comes under suspicion of having had an inappropriate relationship with the boy, she fights for his innocence. Torn between responsibility, trust, and her own moral convictions, a painful search for the truth begins.

Rating:
Genre:Drama
Directed By:Yann Rehberg
Written By:Yann Rehberg
In Theaters:
Box Office:

Runtime:29 minutes
Studio:Filmuniversität Babelsberg KONRAD WOLF, RBB

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood

"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood