'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.

A middle-aged Orthodox Jew, Aaron, living and working in Jerusalem with his wife and children, meets a homeless 19-year-old student. Aaron offers to give Ezri work as his assistant at his family's butcher shop. The two men grow close and their attraction becomes sexual. Aaron must now confront his own sexuality, his feelings for Ezri, and his obligations to his family and faith.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.
It’s almost the end of the first month of 2021, and just over a week since the U.S. saw a new president take office. In light of the occasion, some of us highlighted our favorite political films below!
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
Queen & Slim is a nice example of representation in both cast and crew
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.