A young boy checks out a book titled Evil in the Woods from his local library. He immediately takes the book home and begins to read it and is soon sucked into a strange world set in Mildew Georgia. The book describes the plight of a group of low budget film makers who start to make their newest schlock piece in a woods that is occupied by not only an evil witch but also her cannibalistic and mentally disabled family. As the boy reads the book he starts to get sucked into the story just a little too much, the plot draws him in but will his will be enough to finish the fractured fable or will he forever get sucked into its pages.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
