The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

On the night of her 40th birthday, Inge, a morbidly obese woman, has a midlife crisis. She realizes that her needy husband, Fritz, is more dangerous and deranged than he appears. His years of physical and mental manipulation, through the use of food and their relationship, all comes to the ugly surface. Inge gets inspired to stand up for herself after watching a marathon of her favorite trashy soap opera, taking the melodrama to heart. She plays Fritz at his own game of manipulation and unravels the cold and grotesque truth of their relationship, pushing both of them to their absolute limits.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.