Paul Thomas Anderson's "One Battle After Another", A Bold Exploration of Race, Immigration and America
Paul Thomas Anderson blends tragedy, comedy in 2025 epic, "One Battle After Another."
Everybody Wants to F*ck Me
Adam strives to present as a sensitive feminist but behind the facade he’s a serial womaniser. After a one night stand with a mysterious stranger leaves him suddenly irresistible, Adam’s dream quickly turns into a nightmare.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Adam strives to present as a sensitive feminist but behind the facade he’s a serial womaniser. After a one night stand with a mysterious stranger leaves him suddenly irresistible, Adam’s dream quickly turns into a nightmare.
Rating:
Genre:Comedy, Thriller
Written By:Jonathan Schey
In Theaters:
Box Office:
Runtime:97 minutes
Studio:StudioCanal UK, LuckyChap Entertainment, Film4 Productions, Parkville Pictures
Articles You May Like
The Case of 'Rise of the Pink Ladies' and 'A League of Their Own': Why Won't Hollywood Give Sapphic Shows Their Due?
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
Why we shouldn't let "Contagion" scare us
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."
A Refreshing and Hilarious Story About Faith and Second Chances
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
‘WandaVision’ in Color: Spoiler-Free Recap of Episode 3
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
Pixar’s Objectification Obsession in “Inner Workings” and Beyond
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.