Old friends Can and Gizem reunite at a bar. Can complain to Gizem about his failed attempts at intimacy. That night, he meets Atlas and takes him home and they spend the night together. The next morning, as intimacy grows, Can’s emotional distance creates tension. Atlas eventually leaves, confused by Can’s mixed signals. Alone, Can is left in silence, reflecting on his emotional barriers. He takes a walk while coming to terms with his feelings through an inner monologue.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
