When Redwood Federal Penitentiary closes, there are going to be several hundred prisoners looking for a new home. Several of the most dangerous, all killers, will be transported by train to Santa Ana, a new high tech prison for the worst of the worst. Included in this transfer are: -Ian Kelly, explosions expert who has set off terrorist bombings worldwide. -Lorenzo "Enzo" Martini, a mafia kingpin who enjoyed nationwide fame before finally being put away. -Karl "The Killer" Miller, a serial killer with absolutely no conscience and an unquenchable thirst for blood. -Tommy "Zimm" Zimmer, a man who's serving life for killing his wife and her lover. -Luke Sinclair, who's finishing up the last nine months of a fifteen-year sentence for killing the man who murdered his wife. When the prisoners, under heavy security, board the last car of the train, it quickly becomes clear that an escape plan has been hatched
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
