'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Evangeline (Kat de Lieva) has left her sheltered upbringing to reinvent herself in college. As she begins to break out of her shell, she attracts the attention of a sociopathic fraternity leader (Richard Harmon) and his two cohorts. “Beaten and left for dead, Evangeline finds herself trapped in a supernatural nightmare, where she is caught between salvation and vengeance. But to save herself, Evangeline discovers she must make the most horrifying choice of all…
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
Personalities clash and tempers fume in a family-run Chicago restaurant
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.