Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Somewhere in the Urals, between the European and the Asian parts of Russia, there is a stele called "Europe-Asia". Professional swindlers have taken a liking to this place. For several days in a row a wedding is taking place by the roadside. They hide under the veil of the bride, in the costumes of the groom and witnesses, cynically taking in turn every traveler. Fraudsters "spin" the travelers for cash gifts to the newlyweds, generously feeding the guests with diluted alcohol. Under the guidance of the "mother of the bride" the group plays out incredibly funny criminal plays, and their spectators, accomplices and victims are PR people and political technologists, Chinese and Hungarians, policemen and bandits, beggar nomad children and, of course, foreign tourists nostalgic for the once abandoned Russia....
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.