Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

When an actor assists to the premiere of the experimental B-movie he stars in, film blends with real life, turning it into an actual thriller.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
An animated short film that never gets old, especially with iconic characters from the Disney series.