Eric Clapton's Crossroads Guitar Festival (2004)

This is not a film, it’s a drop tower.  A drop tower that you don’t get off of for the vast majority of its 106-minute runtime. 

Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.

So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.

In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.

Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.