Endangered (2020)

While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.

The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.

For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.

Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.

Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.